In these bold, black-and-white images, unrecognized people from many countries get a chance to be seen, thanks to the work of French photographer and artist JR.Continue reading
Why you should listen
Working anonymously, pasting his giant images on buildings, trains and bridges, the often-guerrilla artist JR forces us to see each other. Traveling to distant, often dangerous places -- the slums of Kenya, the favelas of Brazil -- he infiltrates communities, befriending inhabitants and recruiting them as models and collaborators. He gets in his subjects’ faces with a 28mm wide-angle lens, resulting in portraits that are unguarded, funny, soulful, real, that capture the sprits of individuals who normally go unseen. The blown-up images pasted on urban surfaces -– the sides of buses, on rooftops -- confront and engage audiences where they least expect it. Images of Parisian thugs are pasted up in bourgeois neighborhoods; photos of Israelis and Palestinians are posted together on both sides of the walls that separate them.
JR's gained widespread attention for his project, "Women Are Heroes," which depicted women "dealing with the effects of war, poverty, violence, and oppression” from Rio de Janeiro, Phnom Penh and Delhi to several cities in Africa. His TED Prize wish opened an even wider lens on the world. With the prize, he launched INSIDE OUT -- a global participatory art project. INSIDE OUT invites everyone to share their portrait and transform messages of personal identity into public art.
What others say
“'INSIDE OUT' can be thought of either as an extreme diminishment of artistic ego or as a celebration of it, with the artist’s brand propagated by many clones.” — The New Yorker
JR’s TED talks
More news and ideas from JR
A Sudanese high jumper towers over Rio de Janeiro, arching over a 25-story building in the Flamengo district. A triathlete plows through the waters of Botafogo Bay, mid-stroke, her wingspan as wide as a city bus, while a giant diver shows us the soles of his feet as he leaps from the stone jetty in Barra da Tijuca. […]Continue reading
When artist JR started a project about the 1.2 million people held in limbo at the Ellis Island Immigrant Hospital in the early 20th century, he couldn’t help but notice ghosts of the present.Continue reading