Song: Jomama Jones and Josh Quat | Video concept and direction: Justin Miller, 2020 | Watch
Jomama Jones's in-person TED Talk was to be followed immediately by a live performance of this original song by Jomama Jones and Josh Quat. We were thrilled to record this version to share with you.
Todd London | HowlRound, 2019 | Article
An essay by Todd London that places my recent work in context. London is a prolific writer and leader in the field who has been intimately involved in the cultivation of hundreds of theatre artists' voices. Here he asserts, "Against the national myth that hails the 'self-made,' Daniel lifts up a powerful countermyth: selfhood is collectively made, shaped by the community of others."
Daniel Alexander Jones | 3Views, 2020 | Article
This is an essay featured on the vital new site 3Views. In Evidence of Love, I respond to the challenges facing theatre as a result of our national reckoning with race and power by reflecting on an innovative series of works I was part of 25 years ago that have resonance with this time. (Be sure to scroll down on the linked page to find the full essay embedded with ISSU!)
Daniel Alexander Jones | Public Theater/Joe's Pub's, 2018 | Watch
A link to the Public Theater/Joe's Pub's production of the show Black Light to experience an evening with Jomama as she (presciently) considers the crossroads at which the USA finds itself. Jesse Green of the New York Times wrote: “'Black Light,' recorded live at Joe's Pub on March 17, 2018, makes unrest deeply personal — and deeply complicated, too."
Jerry Portwood | Rolling Stone, 2018 | Article
The Rolling Stone article profiling Jomama and Black Light.
Daniel Alexander Jones, 2020 | Watch
A brief overview of Jomama's origin story.
Robert Faires | The Austin Chronicle, 2015 | Article
Just as within our Music and Dance and Visual Art traditions, there are rich distinctions within Black American Theatre that are often blurred in mainstream discourse. Scholar Dr. Omi Osun Joni L. Jones (no relation) has written a book about the tradition informing my work and my community of collaborators: Theatrical Jazz: Performance, Àse, and the Power of the Present Moment. Here's an interview from a few years back that gives an overview of her work.
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Here are three organizations I love that actively embody the work of healing and civic transformation through the arts. Check them out and consider supporting their powerful missions. They lead by example, centering the richness and complexity of their communities while demonstrating the power of embodied practice:
Penumbra Center for Racial Healing,
allgo and
Pillsbury House Theatre.