Ziyah Gafić

Photographer + storyteller
To help him come to terms with the tragedy of his own homeland, Bosnian photographer Ziyah Gafić turns his camera on the aftermath of conflict, showing his images in galleries, in books and on Instagram.

Why you should listen

Ziyah Gafić uses his camera to capture the aftermath of war. He has traveled to Pakistan, Iraq and Chechnya to capture beautiful portraits of people carrying on with their lives in the face of destruction; he has photographed the everyday lives of children in Rwanda, a generation born from the widespread use of rape as a weapon during the Rwandan genocide. A moving question runs through his work: After war, how do people manage to keep the fabric of society together?

Gafić's interest in this subject comes from his own biography. Born in Sarajevo, he was a teenager during the Bosnian War of the 1990s. Through photography, he parses what happened in his homeland. For his book Quest for Identity, Gafić photographed the watches, keys, shoes, combs and glasses exhumed from mass graves 20 years after the Bosnian War. These objects are cleaned, catalogued and used to help identify the bodies found with them, but afterwards, they become what Gafić calls “orphans of the narrative,” either destroyed or stored away out of sight and out of mind. His quest is to keep them in view as a last testament to the fact that these people existed, preserving them as an easily accessible visual archive that tells the story of what happened—integrating an objective forensic perspective with human compassion.

Ziyah Gafić’s TED talk

More news and ideas from Ziyah Gafić

Fellows Friday

Orphans of the narrative: Bosnian photographer Ziyah Gafić documents the aftermath of war

August 22, 2014

Bosnian photojournalist Ziyah Gafić photographs the aftermath of conflict. (Watch his TED Talk, “Everyday objects, tragic histories.”) In his most recent book, Quest for Identity, he catalogs the belongings of Bosnia’s genocide victims, everyday objects like keys, books, combs and glasses that were exhumed from mass graves. The objects are still being used to identify the bodies […]

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Gallery: What inequality looks like

June 3, 2014

We asked an international group of 12 artists, designers, photographers and activists to provide one image that encapsulates what inequality means to them -- and to explain their selection. The results are stunning and thought-provoking. Warning: some of them might make you cry.

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