Pamelia Kurstin excavates a dusty artifact from the prehistoric strata of electronic music -- and demonstrates how to squeeze soul from an instrument you can't even touch.
The theremin, the first electronic instrument ever invented, was on the brink of historic oblivion when it was rescued from obscurity by director Steven Martin's classic 1994 documentary Theremin: An Electronic Odyssey . And while a few brave souls have sought to master this temperamental instrument since then, none have done so with more sly effervescence than Pamelia Kurstin.
From the rock-steady composure she assumes behind the instrument (necessary lest her breathing drive the sensors out of tune), one might presume a shrinking conservatory personality, but a quick glance at the MySpace page or website of the self-described "bird-punching rollerskating thereminist" will quickly dash any of these quaint notions. Far from being a quirky curiosity, however, Kurstin is a sensitive, emotional stylist capable of coaxing sublime melodic content out of an instrument usually doomed to B-movie sci-fi soundtracks. (And her walking bass imitation is pretty cool too.)
Born in Los Angeles, Kurstin currently resides in Vienna, and performs with acclaimed eccentric rockers Barbez, among many others. Her latest solo CD, Thinking Out Loud, was released in 2007 on John Zorn's legendary Tzadik label. She'll bathe your dog and give you a haircut ("if you're daring," she warns) in exchange for a six-pack.
"Eclectic barely cuts it. Like the more familiar chameleons, Josh Redman, Herbie Hancock, Chick Corea, Branford Marsalis and many others normally associated with jazz, electronica, even classical, Pam Kurstin represents the most recent version of the eclectic, improvising musician"allaboutjazz.com