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エド・ウルブリッチ：ベンジャミン・バトンの顔はこうしてできた
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デジタルエフェクト界のカリスマ、デジタル・ドメインのエド・ウルブリッチが視覚効果部門でオスカー賞を獲得した映画「ベンジャミン・バトン 数奇な人生」について、いかにブラッド・ピットの若い顔から年をとった顔までがCGで作り上げられたかを話します。
At Digital Domain, Ed Ulbrich works at the leading edge of computer-generated visuals. On a recent project, filmmakers, artists, and technologists have been working at a breakthrough point where reality and digitally created worlds collide. Full bio »
Translated into Japanese by Haruka Nishimura
Reviewed by Hiroko Nagata
Comments? Please email the translators above.
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