LARS JAN is a director, designer, writer, and media artist. He is the artistic director of Early Morning Opera, a multi-disciplinary art lab based in Los Angeles that specializes in live performance. Lars has made genre-bending artworks about TED talks, suicide bombers, Laika the Soviet space dog, land art, a downed fighter pilot, and the impossibility of outsiders ever knowing the relationship that two people have together. He has created an image-ballet with two Steadicam operators, choreographed seven women in burqas, and wrangled one giant panda with iPads for paws. Lars studied Bunraku-style puppetry outside Kyoto for a year and taught physical performance at Kabul University's fledgling theatre department. As a Princeton Atelier Fellow, he recorded elder women in rural Ukraine singing in a vanishing polyphonic style. His original performance and installation works have been seen at The Whitney Museum of American Art (NYC), Sundance Film Festival (UT), Symphony Space (NYC), PianoSpheres (LA), REDCAT (LA), The Kirk Douglas Theatre (LA), and The Philadelphia Live Arts Festival. Recently he has created new work while a resident fellow at The MacDowell Colony, EMPAC, The Maggie Allesee National Center for Choreography, Princeton University's Atelier Program, and Kabul University. Lars is the recipient of the 2008 Sherwood Award, granted by Center Theatre Group to an innovative theatre artist in Los Angeles. He is a graduate of Swarthmore College and CalArts. His new performance installation HOLOSCENES — a triptych of massive aquariums inhabited by performers — explores the evolution of human endurance and habitual behavior in the context of natural catastrophe, particularly through the lens of mythic, contemporary and coming deluge.
13:47 Posted: Mar 2013
Views: 2,252,920 | Comments: 670
16:48 Posted: Jun 2011
Views: 523,820 | Comments: 253
03:09 Posted: Apr 2010
Views: 2,901,938 | Comments: 275
15:58 Posted: Nov 2007
Views: 527,930 | Comments: 235
14:51 Posted: Apr 2007
Views: 619,001 | Comments: 79
TEDCred score: +77.00 TEDCred reflects your contribution to the TED community.
A reply on Conversation: How can creatives use new technologies to increase empathy across cultural and geographic distances?
A reply on Conversation: How can creatives use new technologies to increase empathy across cultural and geographic distances?
A reply on Conversation: How can creatives use new technologies to increase empathy across cultural and geographic distances?
A reply on Conversation: How can creatives use new technologies to increase empathy across cultural and geographic distances?
But, might we be a much more creative, if less literate, age? I'd wager yes. How do we raise both bars...
A reply on Conversation: How can creatives use new technologies to increase empathy across cultural and geographic distances?
A comment on Conversation: How can creatives use new technologies to increase empathy across cultural and geographic distances?
A reply on Conversation: How can creatives use new technologies to increase empathy across cultural and geographic distances?
A reply on Conversation: How can creatives use new technologies to increase empathy across cultural and geographic distances?
A reply on Conversation: How can creatives use new technologies to increase empathy across cultural and geographic distances?
A reply on Conversation: How can creatives use new technologies to increase empathy across cultural and geographic distances?