Born in 1978 in Bogotá, Colombia, Daniel Prieto is an electroacoustic composer, improviser, performer, teacher and sound designer.
His catalog contains tape music, mixed music and multimedia works that have been heard in several spaces in Colombia as well as abroad. He has perfomed live electronic music with the ensemble 'Ramalazo', mostly in spaces different than music halls, such as art galleries, works with the '3x3' ensemble, dedicated to free improvisation, and designer-singer Nobara Hayakawa. His collaborations with other artists include music for the dancer and choreographer Sandrine Legendre and sound design and interactivity programming in Max-MSP and Pd for the colombian artist Clemencia Echeverri.
He has lectured in various academic and independent spaces, such as Dorkbot conferences, the Electrical engineering and computer science schools in the Universidad de Los Andes and the Beta music+technology cycle, in Liverpool, UK.
Currently, he works as a lecturer in the fieds of in the music technology and sound design, in the music and design schools in the Universidad de Los Andes, in Bogotá, Colombia, and is an active performer in the local experimental music scene.
Education, soundscape design, computers, open source, sound, music, improvisation
14:59 Posted: Apr 2008
Views: 1,197,432 | Comments: 258
18:56 Posted: Nov 2007
Views: 1,202,812 | Comments: 307
18:34 Posted: Aug 2006
Views: 497,536 | Comments: 96
17:52 Posted: Apr 2008
Views: 433,750 | Comments: 83
22:39 Posted: Jan 2009
Views: 456,880 | Comments: 32
TEDCred score: +0.40 TEDCred reflects your contribution to the TED community.
A comment on Talk: Robert Neuwirth on our "shadow cities"
A comment on Conversation: "Morality" is an abused term/concept. Can you suggest a solid definition?
I believe as well in democracy, and it's my preferred moral compass, or prime structure, but I don't think it's natural or universal. I proselite about it, I judge from its parameters, but I must recognise that it's artificial.
A reply on Conversation: "Morality" is an abused term/concept. Can you suggest a solid definition?
A comment on Conversation: Do low levels of oxytocin cause a person to become unfaithful (have an affair)?
A comment on Talk: Paul Zak: Trust, morality -- and oxytocin?
A reply on Conversation: "Morality" is an abused term/concept. Can you suggest a solid definition?
A comment on Conversation: "Morality" is an abused term/concept. Can you suggest a solid definition?
The arbitrary choice of values comes from human needs, but human needs vary according to the environment, physical (productive) and cultural (ideological). This needs arise from the need of fulfilling of a collective or cultural project, a 'munis', that ultimately leads to some final end, a 'telos', but –again– the ends and means depend on culture. The fulfillment of one's role in the 'munis' leads one to 'be more', 'be better', more moral.
Also, the values that are considered 'moral' change through time, a couple of hundred years ago an enlightened moralist would think that basic human needs for a colonist in South America would be different for the peasant, for the slave and for the indian, and he was right in his context, from his point of view, because those were the moral values of their time, and he was fulfilling his role in his social scheme. Now we could consider this moral as wicked and 'immoral', because it's not our moral system, nor thought schemes, nor economic conditions or social structures. Western thought has modeled a variety of ways to looking at values, from Plato, to St. Agustine to Derrida and beyond, but they are not unique, nor 'naturally true'.
I tend to agree that when one discusses about moral things as natural, given, or axiomatic in any way, one has a non natural interest, a will to be accomplished though others, a will to exercise power.
A reply on Talk: Julian Treasure: Shh! Sound health in 8 steps
The book that Mr. Treasure recommends in another post (The Tuning of the World) is a seminal work, to the soundscape studies, but you can also find out in the Handbook (http://www.sfu.ca/sonic-studio/handbook/index.html) I mentioned, and the Soundscape Journal from the University of Oregon (http://interact.uoregon.edu/medialit/wfae/journal/)