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TED Speaker Julian Treasure: What would a conscious listening world be like – and how do we get there?
In my talk from this year's TEDGlobal, I warned that we are losing our listening, and explored the links between listing and connection, understanding and peace. How do you think listening (or the lack of it) affects our society? And what would a world of conscious listening be like? How would your life experience change? Is it something worth striving for – and if so, how do we get there? And how can you contribute?
Please type in your responses/comments/questions below.














Thomas Brooks
In a recent project in Switzerland called "City Life" a group of children spent a week digitally recording the soundscape of their town, led by musician Luca Congedo. By Friday they had created a huge map of the city and were able to express with startling clarity the audio environment. This attention to the sound of things (they recorded patients in hospitals and machines and animals and plants,..) provided them with access to a rich detail of other sensations of the places including smells and colors and emotions.
T O
The lack of listening in our society creates self-absorption with the lack of capacity to understand how our actions may trigger a pattern in behavior that very well mimics our own. I believe that we would fail to understand those things that may not particularly pertain to our own lives/ selves and therefore disregard it as uneventful or meaningless.
I think it is something worth striving for first and foremost on an individual basis. People would need the appropriate and individualized tools catered to suit their needs and their learning styles.
I would hope to contribute by engaging in discussion. I would believe that in order for conscious listening to be established an interest or concern needs to be present.
Albert Hong
Listening is to open your heart (being vulnerable) and be willing to challenge your own personal beliefs, customs or even moral values.
Mike Hudgins
Julian Treasure 200+
Karina Eisner 10+
In her personal experience she had moved a lot, and understood the communication divide of most of her clients, expats always on their way somewhere else. Lack of enough time in addition to the imperative need to quickly manage too many factors simultaneously (new job, new office, new position, new town, new house, new school, new social network, new friends' group for the kids, new language, new foods) can have a short circuit effect, or at least tunnel vision of sorts, where everyone listens to their own music -not each other.
Her seminaries were excellent. Beyond the practical results at that particular time and place, they empowered us to re-focus and take charge of our life. The principles learned there have been totally transferable to later life events.
Yes, conscious listening is important, and it can be learned. Mostly, it needs practice.
Julian Treasure 200+
Karina Eisner 10+
James Kindler 20+
Julian Treasure 200+
Allan Macdougall 30+
For instance, the exciting atmosphere of a live concert is multi-sensory. Listening to that same music on a hi-fi is less likely to stimulate excitement - more likely it would elicit a singular emotional reaction to what is endemic in the music itself.
There have been occasions where I have listened to a band playing on a hi-fi and have not enjoyed it at all - yet on seeing them play live, enjoyed every second of it. I then go back to my hi-fi and listen to that same band playing with almost the same enjoyment as I had at the live performance.
My listening changed in response to the ways in which the music has been reproduced.
I wonder if a correlation exists between our listening responses to live/recorded music ,and speaking to real people/speaking to 'electronic representations' of people? Watching and responding to facial expressions and body language of other people, absorbing the sense of place where the conversation is taking place, is as multi-sensory and exciting as a live musical performance.
I also know that my own conversational and listening styles are completely different and the interaction feels 'hollow' when using electronic media.
I suppose the upshot is that we have evolved to interact and listen to live human beings using all the senses we possess.
Julian Treasure 200+
Mss Turtle
Julian Treasure 200+
Mark Thur
With the arrival of the noiseless engine and quiet tires of the electric car and the ability to adapt your personal soundscape on your pocket devices, we're starting to gain more control over our sonic environment. Let's make some conscious decisions.
Luigi Russolo and more participants in the early twentieth century Futurist Movement embraced all the new sounds of the modern world they were bombarded with. They incorporated these sounds in their orchestral works.
If we can listen to our sonic environment as if it were one big composition in which we al contribute we find a new arena for social interactions. Conscious listening is the key.
I've been finding a lot of musical patterns in everyday sounds and soundscapes, but found it really hard to record these because a microphone is much to objective and can't 'lock on' to a specific pattern in an abundant soundscape. The human brain can! Easily! That's what we do!...
It only takes a mindset to hear this music.
With me it made a click when I started enjoying "chaotic" electronic music (DJ Spooky, Stockhausen, Cage, some Aphex Twin, Autechre, et al.) and Free Jazz(rock). While cycling through The Netherlands I have these musical frases in mind and occasionally an accidental harmony occurred between the soundscape and this music in my head. Imaginary music with one foot rooted in reality...
I started calling this Musique Trouvé.
Having a culture based on vision was nice for a while but with almost 40.000 pictures being uploaded to Flickr every hour it's kind of losing meaning and urgency...
Let's explore what a culture based on sound can do for us.
I'm always making music with the soundscape that's surrounding me and the people around me.
Public parks should have more creative sound installations.
In my mind I've already arrived at the symphonic soundscape. Everyones mind is wired to experience this.
Mark Thur
Julian Treasure 200+
Mark Thur
thanks for the reply.
As much as I respect John Cage's work in the field of classical music, I prefer the viewpoint of Edgar Varésè that music is organized sound.
When you lock on to musical patterns in the soundscape you organize sound within your brain. When you accept any 'accidentally' present sound as being musical, like Cage, you forget that in a natural world without humans there will be sound, but no music.
'Choice' is wat makes sound into music.
I propose creating "Listening Fields" opposed to "Lookout Points". Conscious listeners should choose locations with an exceptionally beautiful soundscape, possibly with a hidden choir in it.
Murray Schafer already suggested making sound reserves, I propose that we should put sticks in the ground with notes on them pointing out the music you can find in the present soundscape. Off course this changes over time, so an app or online map would be better, but an unknowing passer-by could stop and be moved by sound.
Lookout Points are so twentieth-century... Standing in one place being told where to look... While Listening Fields are spread in a large acoustic arena in which you can choose your point-of-ear, but can always be surprised by a sound from behind.
João Coucelo 10+
In the last 40 years there has been a cut between what "older" people know and learned from their ancestors and what "new" people learned from the former.
Somehow people became more intellectually arrogant. They were able to extend that teenage typical psychologically phase through the twenties and so on.
I imagine that is due to the format education generally has and because there was a wider social access to knowledge and academic education after the second world war, then latter the computers, mobile phones, smartphones, the www (internet)...
I like to listen, fortunately I get a lot to listen to in the hospital, all those elderly people are dusted and wrecked treasures with valuable lessons to take from their life stories.
Julian Treasure 200+
João Coucelo 10+
I am very thankful that I can listen to people with great knowledge and ideas here at TED, let alone to interact and have some feedback.
Wish you all the best with your work and hope you reach more people.
dan philips
Kymberlaine Banks
Priya Soni
We listen to only what we have processed, and this is not necessarily listening to what was said. That is not to say that all listening is generically ego-centric, but simply that it is a selective process. The 21st century -- a world propelled into modernity, obscured by media, sound and technology-- a society which makes full use of this reality that "listening" operates within. A reality which in many ways, we ourselves have constructed. We "listen" then, only to our interpretations of what we hear. The mind becomes the ear in many ways.
Julian Treasure 200+
garima dahima
Amir Azizi Sarajy
John Doe replies : " Wanting people to pay attention, you can't just tap them on the shoulder. Sometimes you have to hit them in the head with a sledgehammer... and then you get their strict attention ".
As you mentioned on your talk not just media but even we have to shout to get others attention,
One of the biggest contributors to this are SMS and twits , because of 150 character limit, the conversation are compressed to their very core essence and they are just key words not dialogues. This has an amazing effect because in a dialogue when you say Hi I should say Hi right away , but when you send me a message I don't need to, you can have my attention at the time of my choosing not yours.
I call it " Dialogue on Demand " , you can talk but I will listen to you whenever I want. No surprise that kids are having difficulties during a simple conversation and get bored very soon and want to end it a.s.a.p.
By the way , Thanks a lot for the talks, and there is something that I would love to know.
The way you talk , your voice and your speech pattern is so calming and listening to you is so relaxing, Did you specifically worked on it , because I noticed it was at its best at your 2011 speech.
Your speech is very soothing and musical, and I was wondering if you practiced to talk based on 12 frequencies of ocean waves or something similar ? or I could be totally wrong and this is just how you talk :) , I love the way you talk, it is great.
Julian Treasure 200+
Amir Azizi Sarajy
by the way any news on teaching Listening at schools ? I would love to hear the news of that.
Julian Treasure 200+
Mike Hudgins
Julian Treasure 200+
sergio ianni
Julian Treasure 200+
Andrea Pisera 50+
It happens when you are connected with someone “in real”, when you take the time and space for both in favor for the connection without rational purpose. Of course, it’s worth it!
I can’t remember where I read this, but it was illuminating, “To listen is to have integrity and to be conscious of the integrity of others, of being present to the “global” field of awareness".
Rachael Lowe
Patrick Ellz
Julian Treasure 200+
If anyone's interested in the latter conversation, you can get a free chapter of my book at www.thesoundagency.com.
Anne Karam
Yolanthe Smit 500+
Her focus was on food, but really it was about being with each other.
weaa fsassss
caro dateo
caro dateo
Julian Treasure 200+
Bilal Saad
1- Songs beat.
2- High sound we are hearing.
3- Drinking a lot.
4- No person to person contact.
Thanks for the topic.
Mita Radhakrishnan
Julian Treasure 200+
Linda Amitrano
Julian Treasure 200+
Nancy Aronson