TED Conversations

Los Angeles Philharmonic


This conversation is closed.

With the advent of amazing online videos, why are we still so compelled to experience live performance (music, sports games, dance)?

A recent online debate held by the New York Times asked the question: "Did YouTube kill Performance Art?". Almost overwhelmingly, the gut reaction from the public was a resounding 'no' - that even with the plethora of online videos from independent uploaders all over the world on platforms like YouTube, and even recorded sports games, dance, and TED Talks, we are still so compelled to watch the 'real' thing live.
What is it about live performance that makes us keep coming back?


Closing Statement from Robert Gupta

Thank you all for the great comments - I think we all certainly agree that a live performance is far and beyond an 'online' experience, and while YouTube creates a platform for independent expression that can potentially reach the world, nothing can substitute the intimacy of a communal experience taking place within a concert hall, between audience and performer, the performers onstage, and perhaps most importantly, amongst the audience itself. I believe that live performance moves us at a level that goes deeper than words (watch Denis Dutton's talk above), and is a throwback to our most primitive expression - we performed and made music and danced for each other before we had spoken word - and we did all these things to communicate something that would compel us to DO something. The live performance brings back that energy and community around the work of art presented. An interesting point for future exploration might be the biochemistry that takes place in our bloodstream during a communal event like a live concert - does the 'empathy' hormone, oxytocin, shown to rise during bonding and sports games - does that also happen during a live performance? I've certainly found that when I perform for those who may have no background or interest in classical music - the homeless and mentally ill - the same energy takes over a basement on skid row as it does in Disney Hall.

Thank you again for your comments - I wish all of you were in our audiences here in LA! We need more listeners like you!

Showing single comment thread. View the full conversation.

  • thumb
    Sep 2 2011: Hi Robert - great timing. I just returned from seeing Philip Glass perform a live, original score to Dracula projected outside on a large screen surrounded by redwoods -- It was AMAZING -- no way could an online video capture or re-create the feeling. Phew!
    • Sep 2 2011: it's interesting - we just did a performance with Philip Glass at the Hollywood Bowl, but the live performance was accompanied with a film - so in essence, we performed the film score with the movie playing. It was an amazing experience to be on stage with him, but I would have loved to have been amongst the redwoods - wow!
      • thumb
        Sep 2 2011: It's amazing how much a live orchestra (or subset; it was Kronos Quartet conducted by Philip Glass) changes Dracula, one of the few sound films without any music. It's thrilling, visceral and fabulous.

Showing single comment thread. View the full conversation.