TED Conversations

Danny Cox

Drummer, Drumset Tutor,

This conversation is closed.

How can one achieve their full potential in the face of strict limitations?

Hello TED users,

My question comes from a personal angle, but I'm sure there are many others faced with similar problems.

I make a living as a drummer. I also teach my instrument. I have played for 15 years now, but for half of this time (since I left home) I have had nowhere to practise my craft. Of course this practise is incredibly noisy, which is the root of the problem, but why I am unable to do it is not my question- rather I am seeking opinions on how I might still achieve my full potential in spite of my limitations.

I am often misunderstood on this matter. I generally receive two responses when I reach out. The first is 'book some studio time.' Unfortunately, this is prohibitively costly in terms of both time and money, with it taking an hour to set up and an hour to pack down a drum kit and studio time costing anywhere between £5-20 per hour. Considering that to truly master a craft one needs endless hours, this is no long-term solution. The second response I receive is 'use digital drums'. Digital drums, while certainly less noisy, are not my instrument. Anyone who has played them will understand that they are a far cry from the real thing and so this suggestion is somewhat like asking a writer to produce a novel using only words beginning with letters A-M.

Of course two solutions that few people mention due to their obviousness are 'move to the country' and 'soundproof a room'. Both of these options are again prohibitively expensive and with musicians not exactly on the highest pay-grade both of these things are sadly far-off.

As a result of these circumstances I feel my whole life is off-center. I deeply crave self-improvement in my chosen field but every day I feel like an artist with no canvas.

I am unsure if anything can be done to improve my personal situation, but I know that TED attracts intelligent minds and perhaps by discussing this issue in a broader context some revelation may be stumbled upon.

Thank you.

Share:

Showing single comment thread. View the full conversation.

  • thumb
    Oct 17 2012: When you need space for a use that effectively excludes other users, you may need at the very least to barter some sort of service for the space. If you cannot pay for rehearsal space, can you trade something of equivalent value to the fee someone else would pay for use of the space?
    • thumb
      Oct 17 2012: Hi Fritzie,

      Thanks for your suggestion. I've tried this too. I've offered free lessons, free performances, time looking after the rehearsal studios but sadly, for the amount of hours I need, there is little I could do besides give up all my work and become someone's PA! There has never been an abundance of charity coming my way on this matter and to be honest, I don't feel entitled to any- after all, I am pursuing a creative ideal, not trying to forge world peace. Nonetheless, this doesn't stop me trying to find a solution every day.

Showing single comment thread. View the full conversation.